After the private wedding concert on the 3rd April'06 Sathya performed carnatic chamber concert today the 17th April'06 at # 1 Nehru Nagar Adyar, Chennai - 20 for Kunnakudy School of Music and T S Mahalingam & Sons and sponsored by Mahalakshmi Boutique.
Sathya started off the concert with a varnam on Amruthavarshni set to Athi thalam composed by Sri Seshadri. He then played Gajananayutham on ragam Chakravagam with a brief alapana and had a good kalpana swaras at the end. He had Smt Anuthama Subramaniam on violin Sishya of Kalaimamani Kum. A Kanyakumari and Smt Jayamangala Krishnamani on mrudhangam (Sishya of Sri Manargudi Eswaran), a real good mrudhangam artist who is a Yuva Kala Bharathi Awardee for vocal music.
The third krithi was Mamavasadha on Natakurunji set to Rupakam . The Bandhuvarali krithi of Dikshidar's Visalakshi set to Misra Chappu had a expanded kalpana swaras and all the three did an excellent co-ordination. Ravichadrika raga krithi Niravathisukadha on athi was performed in a brisk tempo and was followed by a rendition of Nalinakanthi raga alapana for the krithi Neepathamegathi set to Rupaka thalam.
Sathya went on to play Raja Raja a rare krithi on ragam Nirosta of Muthaih Bagavathar which was followed by a brisk Marugelara on Jayanthasri. The main krithi was Intha Sowkyamu which had an elaborate Kaapi alapna in which Sathya explored the nuances of the instrument to perform Carnatic music. He went on to do perform swararagamalika with Swarasammohini and Charukesi. The way in which he finished with a round of Charukesi Swarasammohini and then on to Kaapi gained applause from the handful of knowledgeable audience.
Sathya took up Kartrinile varum geetham followed by Lalgudi's Jonpuri thillana and ended the concert with Bagyadhalaksmi on Madhyamavathy. Smt Kunnakudi Bala went on to express that it was some vidwan who is in Sathya who is bringing the music out thru his fingers on the keyboard and this is indeed a great appreciation for this child's efforts. Every one in the audience were praising Sathya and appreciated the way he is shaping up.
Both the enhancement artist played their roll to the perfection and got the appreciation of the audience.
Sathya started off the concert with a varnam on Amruthavarshni set to Athi thalam composed by Sri Seshadri. He then played Gajananayutham on ragam Chakravagam with a brief alapana and had a good kalpana swaras at the end. He had Smt Anuthama Subramaniam on violin Sishya of Kalaimamani Kum. A Kanyakumari and Smt Jayamangala Krishnamani on mrudhangam (Sishya of Sri Manargudi Eswaran), a real good mrudhangam artist who is a Yuva Kala Bharathi Awardee for vocal music.
The third krithi was Mamavasadha on Natakurunji set to Rupakam . The Bandhuvarali krithi of Dikshidar's Visalakshi set to Misra Chappu had a expanded kalpana swaras and all the three did an excellent co-ordination. Ravichadrika raga krithi Niravathisukadha on athi was performed in a brisk tempo and was followed by a rendition of Nalinakanthi raga alapana for the krithi Neepathamegathi set to Rupaka thalam.
Sathya went on to play Raja Raja a rare krithi on ragam Nirosta of Muthaih Bagavathar which was followed by a brisk Marugelara on Jayanthasri. The main krithi was Intha Sowkyamu which had an elaborate Kaapi alapna in which Sathya explored the nuances of the instrument to perform Carnatic music. He went on to do perform swararagamalika with Swarasammohini and Charukesi. The way in which he finished with a round of Charukesi Swarasammohini and then on to Kaapi gained applause from the handful of knowledgeable audience.
Sathya took up Kartrinile varum geetham followed by Lalgudi's Jonpuri thillana and ended the concert with Bagyadhalaksmi on Madhyamavathy. Smt Kunnakudi Bala went on to express that it was some vidwan who is in Sathya who is bringing the music out thru his fingers on the keyboard and this is indeed a great appreciation for this child's efforts. Every one in the audience were praising Sathya and appreciated the way he is shaping up.
Both the enhancement artist played their roll to the perfection and got the appreciation of the audience.
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